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Russian Abstract Art Foundation
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Russian Abstract Art Foundation is a noncommercial organization, formed for supporting cultural, educational and social initiatives. The Foundation’s mission is to form correct academic and historical understanding of Russian abstract art in the global context.
== Collection ==
The collection of the Foundation is based on creative work by members of The New Reality artistic group, as well as on vast archival material, connected with their art, the Foundation aims at defining and demonstrating the place of this group in particular, and Russian abstraction in general, in the evolvement line of history of art.〔http://ruabstract.com/artists〕 Foundation is focusing on the artists, who were attending Studio for a long time and formed the very core of it, such as Ely Beliutin, Vladislav Zubarev, Lutsian Gribkov, Vera Preobrazhenskaya, Tamara Ter-Gevondyan, Anatoly Safokhin, Svetlana Nekrasova, Elena Radkevich, Alexander Krukov. The New Reality Studio was a group of abstract artists, it emerged at end the 1950s and had been existing until the death of their leader Ely Beliutin in 2012. Their aim was the revival and natural development of the Russian avant-garde and abstract art of 1920s. Abstract art, having started with works by Wassily Kandinsky, did not get development in Russia, and for almost 30 years was excluded from professional vocabulary, but, in spite of this, gained a powerful momentum in the West.〔http://www.washingtonpost.com/gog/exhibits/origins-of-the-russian-avant-garde,1080034.html〕 Works by Wassily Kandinsky, Kazimir Malevich, Larionov, Lisitsky, Alexander Rodchenko illustrate these artists’ unique experiments with color, shape, space, but, first and foremost, they vividly reflected changing social identities, that is, fulfilled the main purpose of art.
Ely Bielutin made it his mission to create truly contemporary art, and as a result of his activities, aspired to found a new Academy of Arts. This makes members of his group followers of the early 20th century masters not only from the formal-stylistic point of view, but ideologically as well. That is why their intellectual and creative heritage is indispensable for understanding evolvement of any innovative idea in art.〔http://www.telegraph.co.uk/sponsored/rbth/culture/8006418/Documentary-on-forbidden-Russian-avant-garde-art-The-Desert-of-Forbidden-Art.html〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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